Playlists 

12" GREEN Color Vinyl / With Black Solid Jacket and Large Sticker
The Unofficial Edits & Overdubs by Joaquin Joe Claussell
Finally comes the first of a two-part forthcoming EP's, Extended Versions taken from the highly successful Joe Claussell Afro Edits & Overdubs Series previously released on LP and CD.
Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.

Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of nine compositions that showcase the future possibilities of this influential work.

Tested for months on dance floors across the globe every on this complication are sure to continue setting dance floors on fire where ever spun.
Extended Versions Cuts Taken Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!
Thank You for Listening

Dallas, Texas resident Ben Hixon is a consistent performer with a tasteful take on deep house that most often comes on this label. His final missive of the year opens up with 'Meant To Be', a nice bumpy cut with bass reverberations and glitchy percussive textures. Hi-hats tick in the background to keep time as smudged vocals burn with soul and lolloping rhythms take centre stage. 'Love Crazy' is another stripped-back sound that is dusty and gritty with bass that folds in on itself and more sprinkled analogue percussion to add extra bite.

The latest and greatest producer in a proud British tradition that good music need not take itself seriously. Outlandish samples, meet dissonant vibraphones in a combination that has been described as “lovely stuff”

Dallas robo Ben Dixon presents '7AM Germany/Damaged', warpspeeding 44 years into the future to retrieve two wild Chicago deep house cuts. The Chicago of the future is one flanked by dives and all-night nightclubs on both sides of the street, and where the tide of globalisation has rendered nationality a slipperier concept than now: on, 'A_7am Germany', we lose sight of where we're dancing for a night, as Chicago and Berlin are confused, despite the many ensouled exhortations to dance. 'Damaged' douses its counterpart hip house sample in a lusty reverb, unmistakably recalling the swelling stylings of one Galcher Lustwerk.

2025 Repress

The breakthrough dance collective of the year bar none! Having made a name for themselves creating the evilest drum&bass music the world has ever seen, in recent months Noisia have been seen DJ-ing at house clubs, releasing singles with prominent house labels and most recently remixing for the likes of Robbie Williams! However, it wasn't long before they decided to go back to the dark side and join forces with good friend Mayhem (USA) to come with something more disgusting than ever, oh and they got KRS-One to provide the vocal!

A truly breathtaking intro bursting with evil foreboding sets the scene, before Noisia and Mayhem unleash the darkness with their signature drum programming alongside futuristic never heard before beats and breaks. Be sure to wait for the hip-hopesque interlude that features the immense vocal talents of none other than KRS-One. If you're not nodding your head by that point, you best check your neck isn't broken!

Comes in standard full colour Vision Recordings repress sleeve.

Reissue

Carl Finlow has been turning out killer electro since forever and is the man behind the revered Random Factor alias. He started it back in 1994 and since he's brought us four full lengths on 20/20 Vision, with a new one dropping very soon. In the meantime, here's a reissue of one of his most in demand classic EPs that's back on wax after initially making waves way back in 2000. The cuts draw on electro-pop and lithe future disco a la Metro Area, from the sparkly 80s-vibed opener 'Old News', 'Richochet' - imagine dub techno rerouted through guitar-led funk - to the more heads down, deep and moody dancefloor delight 'Update' and the indelible melodies of closer 'Swing'. Timeless machine funk from one of its latter day masters.

Time to celebrate the Detroit's talent Javonntte who won in short time the deep music scene. 3 brilliant tracks on this Ep called Makes Me Feel.spread love, all over the world!

French Chicago Techno imprint Ghettomania celebrates 15 years with old collegues like Manu Kenton, Traxman and Label head Manatane.

Wrapped in Latex, in Berlin, Alone is the latest EP coming from Pletnev. Its four tracks trigger a dooming introspective look in an increasingly isolated, digital world, while simultaneously providing an extraterrestrial escape route.

Phonogramme Records welcomes Vakula ! Vakula joins forces to Logich in its latest musical masterpiece : “DINSYNC”. Him and Logich weave their musical magic, creating a harmonious dialogue of sound. Sometimes, words fail us, but music speaks volumes. Vakula’s EP captures this sentiment beautifully. Let the rhythm guide you, and let the music do the talking.Whether you’re on the dance floor or simply vibing at home, these beats will move you.

Four tracks from the west side of Italy

A nice mix of vocal samples and acid waves on side a with Life's Questions and Make The Hood Smile.

More Housy the side B. Ladies vocal and punchy drums in Nightshift, more percussions and melodies in Gianfranco.

Vocal house duo Bäs Noir’s ‘My Love Is Magic’ receives edits from British DJs Bushwacka! and Mark Broom on Nu Groove. Hailing from Philly, the female duo of Morie Bivens and the late Mary Ridley first released ‘My Love Is Magic’ as Bäs Noir in 1988, with the Rhano Burrell production going on to chart in the UK. Today, the record remains a favourite of tastemakers everywhere, with Big Love label boss Seamus Haji dropping the OG at Defected Croatia in 2023. The hugely influential British DJ and producer Bushwacka! now returns to the legendary NYC label Nu Groove, following his four-track EP ‘House Sounds Vol. 1’, to bring out the percussive power of ‘My Love Is Magic’ with its distinct piano bassline and modern synth work. Also a Nu Groove returnee, the seasoned DJ Mark Broom delivers a techno A-12 Edit and house Dub Re-Touch of the Bäs Noir vocal house staple.

Reissue of the hot track Lava Lava by John Spring with two new version from Rydim, hot stuff vinyl only!

Repressed !!! Ipoly Music is the new imprint A&Red by Alec Troniq and Mentalic. After various releases for Etui Records, Phonocake and Microtonal the two talented travellers have found their own place of creativity and reveries. Early support by Laurent Garnier, Alland Byallo, Jamie Stevens, Anderson Noise, Chris Fortier and Gunjah

Revered Danish producer and live performer KÖLSCH follows his 2013 hit album "1977" (KOMPAKT 276 CD 107) with the new full-length "1983", again chaining up heroic techno tracks for a grandiose sonic journey to the vibrant heart of today's dance floor. PRIORITY RELEASE

Coupling contemporary production pizzaz with nostalgia-tinged soundscapes and sweeping melodies, this opus acts as both a skilfully composed portfolio of personal memories and a sublime collection of crowd-charming cuts - a modern classic in the making, coming from a master of his craft.

1983 features collaborations with Gregor Schwellenbach, Waa Industry and WhoMadeWho's Tomas Høffding.

Hot on the heels of SPEICHER 84 (KOMPAKT EXTRA 84), featuring club crackers DERDIEDAS and TWO BIRDS, the latest full-length offering from KÖLSCH is very much a travel album: "When I was a kid in 1983, we used to drive through Europe every summer on the way to the south of France", he explains. "A lot of my early music memories stem from these long travels, as we would listen to all my father's favorite records on the cassette deck. After getting a walkman, I would make up my own soundtrack for travelling, with early electro and hip hop creeping into my life. My father of course did not like it, and it never grace the official cassette deck of the car, obviously"

These trips became a primary source of inspiration to a hungry young mind forced to sit on the backseat of a car for several days: "they were also journeys through the seasons. In Denmark, it would be spring time, so I could nearly see us driving through spring into the summer. The scenery would change, and so would the mood in the car." Informed by the symbolic quality of these slightly gauzy childhood memories, KÖLSCH's unique melange of emotional and functional elements works exceptionally well for the full-length format - a seamless transition of musing introspection and explosve expression, where catharsis never seems far away in dance-ready techno vignettes like MOONFACE, UNTERWEGS or PACER.

From beatless opener and title track 1983 to the filigreed piano banger DIE ANDEREN or the bleep-infused synth-fest E45, each cut operates as its own little time capsule, storing bits and pieces of recollection and then magically transforming them into epic, beat-driven soundscapes. Confronted with other producers' input (and other memories), these traits find themselves extended in the most interesting ways - TALBOT, THE ROAD and CASSIOPEIA (also featured on KOMPAKT EXTRA 79) make excellent use of GREGOR SCHWELLENBACH's emotive orchestral flourishes, while BLOODLINE's lyrics come to life thanks to the distinct timbre of TOMAS HØFFDING of WHOMADEWHO fame. A new powerful take on an earlier collaboration, PAPAGENO 30 YEARS LATER not only rejoins WAA INDUSTRY on vocal duty, but also ends the album on a wonderfully elegiac, yet hopeful note - basically turning water into wine, as we've come to expect from KÖLSCH.

Quality Vibe presents 4 House tracks by the new Italian DJ/Producer Paolo Tocci, great work from him
and of course its Vinyl Only

There's no 123 without 4 in our beloved Speicher series. Robag Wruhme is back with two intense, low-slung monster tunes in his unique masterful fashion. "Fire" is destined to set your peak time dancefloor on fire with its killer bassline and trippy sequences. "Un-spok-en" is equally relentless and unfathomable, garnished with a haunting vocal snippet.

Es gibt kein 123 ohne 4 in unserer geliebten Speicher-Serie. Robag Wruhme kehrt mit zwei unglaublich intensiven, tiefergelegten Monstern zurück und schon ab dem ersten Beat ist klar, dass hier der Meister aus Weimar wieder mal in Hochform ist. "Fire" ist pure Primetime-Beglückung mit einer der fiesesten Basslines ever und schön trippigen Sequenzen on top. "Un-spo-ken" ist ähnlich unerbittlich und unberechenbar. Daran kann auch das zart dahin gehauchte Vocalschnipsel nichts ändern.

Mall Grab returns with his first solo record in two years - building off his legacy and the musical world he has been creating for the last 10 years; Showcasing future facing yet familiar and nostalgic sounds which look ahead to the next chapter in his music.

For the 34th split of the series, we invited two of the best french projects of the contemporary electronic underground scene. On the A-Side, Bloody Mary, resident at Tresor Berlin and responsible of strong releases on Ovum Recordings, U-TRAX and of course her own imprint Dame-Music. On the B-Side, the exciting duo Human Rebellion aka HR101, already known for some killer EPs on Discos Atonicos, Science Cult or Earwiggle. The result is a 4-tracks EP combining acid lines, rave synths, 90's voices, mental soundscapes and catchy techno !

ISOR29 with a six track mini-album titled ‘Moon Phase Gardening’. ISOR29 is a new project from Columbian musician Tomas Garcia Station and follows on from his highly regarded 2020 debut release under the ‘Irie Nation’ moniker.

The title ‘Moon Phase Gardening’ (also referred to as Gardening by the Moon or Planting by the Moon) draws upon the idea that the lunar cycle affects plant growth. Just as the Moon’s gravitational pull creates the tides of the oceans, it also creates more moisture in the soil, which encourages growth.

Evolving out of forced time off, individual confrontation and the love for someone close, ‘Moon Phase Gardening’ was recorded in the living room of an old flat in Lisbon during the first lockdown. Using only a microphone, computer, Korg MS20, hang drum and a field recorder, ISOR29 channels Tomas’ musical vocabulary via electronics to reflect an immersive and self-reflective story bound to a uniquely powerful time and space.

*IMPORT EXCLUSIVE* Veego Records proudly presents the first-ever vinyl reissue of Jazzburger, the cult 1984 electronic album by Lucas Thanos. The title track “Jazzburger,” rediscovered through Dekmantel’s Profondo Nero compilation, blends cold minimal synths, slow-motion disco, and eerie cinematic tension, featuring the ghostly vocals of Idyli Tsaliki. Includes 2 previously unreleased tracks, an early demo version of Jazzburger as well as a demo of Μόνο ένα Λεπτό. The reissue also includes “Break,” probably the first rap song ever recorded in Greece, echoing the electro-funk style of Egyptian Lover, and “Set on Fire,” a pure slice of French disco elegance. A rare collection that bridges Italo Disco, New Wave, minimal wave, and early European electronic experimentation, Jazzburger is a long-lost time capsule brought back to life for a new generation of listeners.

Reissue of this euro disco classic from 1985. Comes with Flemming Dalum and Hysteric remixes.

Glorias comprises minute samples of pieces by composers who were exiled from Franco's Spain after the Spanish Civil War and field recordings of the Spanish countryside. It is an attempt to reconcile the exile and the homeland, and a tribute to the International Brigades, volunteers from around the world who travelled to Spain to fight fascism, many of whom never returned.

MCRV019 – VA – Phase Drift. Passage is a graceful and emotionally nuanced four-track journey through modern deep tech house. Blending reimagined echoes of early 2000s deep sounds with forward-thinking production, the release moves between moods and textures with surgical control and quiet sophistication. It’s an EP that balances warmth and restraint, melancholy and motion — built for selectors who appreciate finely tuned emotional arcs.

A1. Stephano Franca – Arriving opens with a fluid, introspective piece. Gentle and melancholic, it glides with cinematic poise, drawing listeners into a state of suspended reflection.
A2. Dot – Distance Call introduces a percussive, tribal undercurrent — earthy and grounded, yet full of bounce. It energizes the space while maintaining depth and groove.

Flipping over, B1. Reenday – Last Call (Nicolas Barnes Remix) brings a refined sense of cold elegance. Dubby and atmospheric, it’s a minimalist piece that evokes distance and stillness — a cool breath in the night.
Closing the release, B2. Jeronimo Watson – On The Prowl is a deep tech gem — emotive, seductive, and sharply detailed. With a slow-burning energy, it brings the record to a confident and composed close.

From Brazilian talent Stephano Franca to Dot and Nicolas Barnes, two of the label’s most precise and consistent producers, and rising standout Reenday, a finalist of the ANTS: NEXT GEN Artist Program 2025, this release represents the current essence of MixCult. It is sealed by the distinct touch of Jeronimo Watson, whose Los Angeles–rooted sound closes the circle with style.

Phase Drift. Passage is not just a collection of tracks — it’s a refined toolkit for navigating emotional shifts and dancefloor narratives, framed by elegance and intention.

Limited Edition.

Times Is Now To The Chicago Pioneer That Released Records On Labels As Dance Mania And Rush Hour. The New Imprint - Contemplation Of Deepness - Contain Three Original Tracks With A Classic Floyd Touch Driven By Lerosa Remix

B From E, an uncommon name but surely soon to be know. This young Danish/Mexican talent has already released a successful Ep on Copenhagen Underground Posse, but now heads for 2018 with a rock solid 3 track Ep at Traxx Underground! B From E delivers a classic and very melodic house sound, in a fusion of US Garage and Soulful Deep House. He is pointing for the stars and ready to spread love, all over the world!

Mexico-born and based The Funk District has been adding a contemporary spin to funk, soul, disco and Afro for a decade now. His latest takes him to Saint Wax and kicks off with 'Alligator Groove', which is a leggy, strident disco pumper with neat and funky guitar riffs. 'The Reverend' has even fatter drums pumping down and guttural gospel vocals adding emotional intensity. Gledd remixes with a more light-fingered and jazzy touch and flipside cut 'Gimme Something' offers deep disco and then acid tinged house anthem 'A Little More' rounds out the package.

At daybreak, as sunlight travels through the atmosphere and begins to reach Earth’s surface, daylight gradually emerges. This marks the transition from night to the beginning of a brand-new day. As the temperature rises—especially after clear, calm nights—relative humidity decreases, and mist, formed of tiny suspended droplets, begins to evaporate. Warm air rises and cool air sinks, creating an interplay of temperature, humidity and sunlight that gives way to a soft, diffuse glow. The sea breeze slowly clears the morning mist, setting life in motion once again as the world wakes up.

‘Daybreak’ is Sven Wunder’s fifth full-length album, seamlessly continuing the progression of his musical oeuvre. It takes the listener on a vivid maritime expedition, beginning the moment the first rays of light break the darkness of the night and embarking on a lush journey through the early hours of the day and far beyond, until the light slowly fades and night falls once again. True to Wunder’s now-distinctive artistry, ‘Daybreak’ is marked by elaborately crafted compositions and elegant pop-jazz arrangements for flute, percussion, brass and strings—supported by a decisive rhythm section, all of which add depth and build on his body of work, continuing to unfold his creative path.

Debut release on GAMM for San Francisco's edit and reworks maestro King Most.
For this supa funky 7inch, King Most first takes on Dorothy (Ashby), Dilla (Jay) and Phife (Dog) and puts it all in the blender for a rare groove(ish) hip hop jam...on a slight Detroit tip.

On the AA side King Most hits up Patrice Rushen and blends her with Soul II Soul vocals for a warm and tasteful rework.

Classic old school GAMM material :)

Das dritte Album der äusserst produktiven und genreübergreifenden Musikerin Jane Remover erscheint in einer ersten limitierten Auflage auf dem jungen Indielabel deadAir und enthält ein Danny Brown-Feature ("Psychoboost"). Die in New Jersey aufgewachsene und in Chicago lebende Künstlerin vermengt Hyperpop, Dubstep, Noise, Hip-Hop und Alternative zu einem exzessiven Amalgam, das nicht nur die Kritiker begeistert. "Die experimentelle Künstlerin macht im Vergleich zu ihrem vorherigen Album eine komplette Kehrtwende und entfesselt ein Inferno aus rohen Gedanken, das alles – Rap, Pop, Stimme, ihre künstlerische Persönlichkeit – bis zum Zerreissen treibt." - Pitchfork

2026 Repress

P.E.A.R.L.'s Falling Ethics imprint reaches release number 25. For this special occasion he invites personal favourite and good friend, icon of the Spanish techno scene, Oscar Mulero. After a first appearance on the label back in 2019 it was long overdue to present their follow up split EP. Both producers are known for their forward-thinking, optimized techno pressure and on 'Above Us Today' they show nothing less. Four perfectly shaped, effective techno hitters in their own iconic style. Mulero with his twisted hypno swing and P.E.A.R.L. working his impeccable high-energy grooves make this an essential techno pack.

DJ Support: Chris Stussy, Enzo Siragusa, Hot Since 82, Prunk, and M-High

Amsterdam-based Hungarian duo Retrouve are ready to make their mark on the global house music stage with their highly anticipated debut album, Feel So Right LP, on PIV Records. This young and dynamic pair has been turning heads in the House and Minimal Deep Tech scene with their slick productions and fresh take on the genre. Featuring eight timeless tracks, Feel So Right LP is a masterclass in diversity and depth, showcasing Retrouve’s profound understanding of house music and beyond. From soulful grooves to driving basslines, each track tells a story of their journey as artists and friends, reflecting their determination to carve out a unique sonic identity that resonates with both the old guard and the new wave of house music enthusiasts. Despite being newcomers, Retrouve have already garnered significant support from some of the biggest names in the industry, including Chris Stussy, Enzo Siragusa, Hot Since 82, Prunk, and M-High. Their unreleased tracks have been sought-after IDs for the past two years, creating a buzz that has only grown louder with time. Feel So Right LP is a testament to the duo’s unwavering passion and dedication to their craft while creating a memorable listening journey. With this release, Retrouve are poised to become ones to watch in 2025 and beyond.

A1 Just_Me - Laser Brane
A2 Lumieux - In Your Space... It's Me In Space
B1 Constratti - Bind
B2 Max Jacobson & 97 Till - Orion

It was 1993 when Insight last released on the iconic Strictly Rhythm imprint. Terrestrial Funk brings you their first fresh output in three decades. Perfect house productions hot on the heels of their highly acclaimed V4 Visions comp on Numero Group. The four track EP gives you three unique house cuts with Ashaye’s ethereal vocals and an unreleased dubbed out downtempo version of their beloved anthem, ‘What Is This World Coming To?’.

Massive disco boogie from the man with the plan DAVE MAZE. Volume two of the "DISCO YAMS" series drops 4 upbeat, booty shakin' groovers re-edited and tweaked for your clubbing pleasure. Untitled to keep the crate diggers guessing... Limited heavyweight colored vinyl. Paper sleeves.

Dedalo District kicks off its first 12" with a split EP from two producers who don't play it safe.

On the A-side, Cruz - Barcelona-based and founder of 22 Records - delivers two cuts blending techno, electro, EBM, and new beat. Raw grooves, heavy pressure, no fluff.

On the B-side, Nativo, a Rome-based producer and part of the Incoherent Debts collective, fires back with two tracks built on breaks, electro, and synthwave textures. Twisted melodies, broken rhythms, forward-thinking attitude.

A debut that hits straight and leaves a mark.
No compromises - just tension and drive.

Roy Rosenfeld is a relentless innovator, continuously refining his craft in unparalleled ways. His distinct musical signature is instantly recognizable, yet he deftly ensures that each track offers a fresh perspective. Rosenfeld continues to assert his presence with the second release from his No Drama label, advancing sonic expression and audio techniques.

The opening track, Da Vision, introduces a rich blend of oriental motifs and unique, pitched synth lines set against a percussive, tribal backdrop. Unified by an unmistakable touch, this piece brings an exotic flair and unexpected vitality. Every detail in Da Vision reflects a meticulous approach. Rosenfeld offers a vibrant listening experience with every beat, creating a dynamic, organic flow. Rosenfeld's approach makes each moment in his track feel spontaneous and human.

The second track, Get Loose, is aptly titled, inviting listeners to shed the burdens of daily urban life. In an era of stress, congestion, and constant demands, his music offers an escape-a brief yet rejuvenating mini-vacation
from the urban hustle. Researchers have long explored the therapeutic power of music, and Get Loose stands as a testament to that potential. The track weaves a hypnotism uncompromising in its primal allure. Layered with a resonant mantra that pulses through consistent intervals, Rosenfeld merges cutting-edge production techniques with a deep-rooted respect for musical heritage, culminating in a melodic crescendo.
With this release, No Drama Records proves that Rosenfeld is as committed as ever to transforming music into an immersive, healing experience for the modern listener.

Indo Warehouse presents ‘Bombay Acid’ on Crosstown Rebels, featuring Kunal Merchant and Raja Kumari. The hypnotic new single, fusing heritage and future-focused touches, lands with a remix from SYREETA

Making their debut on Crosstown Rebels, New York collective Indo Warehouse unveils ‘Bombay Acid’. The release is a collaboration between co-founder Kunal Merchant and acclaimed vocalist Raja Kumari, capturing the Indo Warehouse ethos: hypnotic grooves, ancestral textures,and underground energy fused into one expansive, ritualistic journey.‘Bombay Acid’ pairs Merchant’s meticulously layered production, melding deep, hypnotic grooves with textures drawn from South Asian musical traditions, with Kumari’s commanding vocals. The track unfolds as both a club-ready cut and an immersive ritual, bridging cultural heritage and contemporary electronic sounds. A Grammy-nominated rapper, singer, and classically trained dancer, Raja Kumari bridges Indian tradition with contemporary global music. She has collaborated with Timbaland, Dr. Dre, Gwen Stefani, John Legend, and Iggy Azalea, and has performed at Coachella, Wireless, and India’s NH7 Festival. Her imprint, Godmother Records, and projects such as ‘The Bridge’ (2023) and ‘Kashi to Kailash’ (2025) explore resilience and spiritual depth, making her one of the most distinctive voices in modern music.

On the flip, SYREETA delivers a striking rework. Authentic and fearless, the UK favourite has shattered glass ceilings while drawing on chunky basslines and energetic grooves from house and techno to craft her own sound and style. Her remix injects ‘Bombay Acid’ with that signature low-end punch, while driving and harnessing the track’s cosmic energy for late-night dancefloors.Kunal Merchant has spent years building a sound that is simultaneously drawn from his South Asian lineage and futuristic. From appearances at Coachella, Hï Ibiza, Fabric London, and Brooklyn Mirage, to releases across the Indo House spectrum, he has become a central figure in shaping the genre and bringing South Asian voices to the global electronic stage. Indo Warehouse, co-founded by Merchant and Kahani in 2022, has evolved from its underground origins in New York into an international movement. Their live shows are immersive experiences, rituals where identity, tradition, and club culture collide, and their releases continue to push the boundaries of house and techno while remaining deeply grounded in their origins. With ‘Bombay Acid’, Merchant and Kumari deliver a production that is both hypnotic and expansive, inviting listeners
into a universe where rhythm, culture, and underground energy meet in unison.

A limited edition tribute to Chris Hill who recorded this record in 1979. Features Luther Vandross!



Recorded jointly in Germany and the USA, Mascara were the creation of soul legend and Mafia club DJ, the late Chris Hill. The vocalists are Ula Hedwig, David Lasley, and Luther Vandross . Ula was a former member of The Harlettes with Sharon Redd and Charlotte Crosley who used to support Bette Midler. David Lasley was also a supporting singer for Bette Midler, and later Luther Vandross, David Lasley’s prolific career as songwriter alone spans more than 30 years. He is best-known as a composer for the hundreds of songs he has written recorded by the likes of Anita Baker ("You Bring Me Joy"), Boz Scaggs ("JoJo"), He sang backgrounds on numerous classic disco hits for acts including Chic ("Everybody Dance", "Le Freak", "I Want Your Love"), Sister Sledge’s ("We Are Family", "He’s The Greatest Dancer") and together with Luther for Odyssey on "Native New Yorker".

The Tuff Fluff EP from Joe Koshin channels the spirit of classic Tech House while pushing it somewhere new. Bouncy and full of groove, each track brims with fresh ideas and details that give the EP its own unique character. Born from a shared musical connection between Joe and label
head A for Alpha, Tuff Fluff began taking shape a few years back. After patiently waiting, the record now arrives feeling more relevant than ever - vibrant, groovy, and timeless all at once.
Marking the first release on Alpha’s Trip in two years, Tuff Fluff also celebrates the label’s relaunch, complete with a fresh new look crafted by the legendary Pointless Illustrations. It’s the start of an exciting new chapter for the imprint, setting the tone for what’s to come. Rounding out
the release is A for Alpha’s remix, a darker, moodier take built around the unmistakable sound of the Roland SH-101 bassline, whilst lifted with floaty, luscious pads - the perfect counterpoint to Joe’s bright and bouncy originals.

After three years of releasing singles and remixes across the electronic scene, Belaria makes a grand return to her label, Binding System, with a more introspective format: Dynamic State. A conceptual EP exploring the benefits of body movement on the mind, psyche, and emotional well-beng, it
unfolds through a two-sided narration where physical and mental energy gradually resurge. Balancing tension and release, control and liberation, Dynamic State translates movement into sound. This EP includes two powerful remixes: VEL delivers an ultra-textured, psychedelic reinterpretation, while Kendal transforms another track into a trance-infused, rave-ready floor-filler.

Vinyl reissue of the most acclaimed album by Brazil's legendary female vocal quartet, this LP captures the group at their creative peak, featuring sophisticated arrangements by Edu Lobo and Luiz Eça (Tamba Trio), A post-bossa gem filled with stunning vocal harmonies. Originally released in 1972 on the Odeon label, Quarteto Em Cy stands as a high-water mark in the group's prolific discography-and a hidden gem for collectors of Brazilian vinyl. Known for their intricate vocal harmonies and deep roots in the bossa nova movement, the quartet ventures into post-bossa territory here, where sophistication meets groove in all the right ways. Arrangements by Edu Lobo and Luiz Eça (of Tamba Trio) lend the album a richly layered sound-elegant, jazzy, and emotionally resonant-while the group's harmonies remain as mesmerizing as ever. It's a masterclass in vocal interplay and tasteful orchestration, with an unmistakable Brazilian soul running through every track. Highlights include their stunning interpretation of Milton Nascimento's 'Tudo Que Você Podia Ser,' along with deep cuts like 'Quando o Carnaval Chegar,' 'Canto de Obá,' and 'Cantoria.' These recordings capture a moment when the group, already respected collaborators of Vinícius de Moraes, Jobim, and Chico Buarque, hit a new creative stride. A MPB landmark and long out of print, often cited as QEC finest work, this self-titled LP has become a sought-after piece among collectors of MPB, bossa, and 70s harmony pop. For those drawn to groups like The Free Design or The Mamas & The Papas-but with a distinctly Brazilian elegance-this album offers a rare and rewarding listen. Reissue on 180g vinyl.

Back on wax for the first time since its original 2018 release, Stay Cool returns as a limited edition green vinyl repress. This collector's cut includes the extended mix of Stay Cool, plus three versions of You're So Special - the original extended, a peak-time remix from Gerd Janson, and a rave-ready rework by Eats Everything, both appearing on vinyl for the very first time. A favourite among crate-diggers and DJs alike, this rare slice of modern electro-pop and club finesse is back for a limited time only.

Five sisters Jacqueline, Lyn, Pat, Rae and Gennie Jackson were from Compton, California. “I Believe In Miracles” was written and originally recorded by Mark Capanni. The musical tracks were the work of the late Gene Page (string arranger for Barry White). The vocals were produced by Pete Moore of the famous Smokey Robinson & The Miracles along with Bobby Taylor, who also had a group called Bobby Taylor & The Vancouvers. “When I Believe In Miracles was first released in 1973 the sisters were nominated for best new vocal group for the Black Image Awards and best new female artist by Record World Magazine in 1974-1975 which was announced on Soul Train an aired Feb. 22, 1975. However the song did not take off until the UK ‘rare groove’ scene of the 80s, after which an extended version was created which appears for the first here time on 7”

After roughly 15 years out of the game, Marc Kushin makes a highly anticipated return with his Ely Muff project - a label favourite since its inception - debuting proper on Love Love with 4 tracker 'Human Nature'. Kushin's proto-tekno take on the early breakcore sound was a stand-out of a particularly noisy strain of hardcore which emerged in the UK in the late 90s and early 00s, releasing on the likes of Headfuk, One Inch Punch, Deathchant, as well as Kushin's own labels Kinky Stump and Dead Pig, run alongside longtime collaborator Tantrum.



Unpretentious, unserious and completely unapologetic, 'Human Nature' features four tracks of brutal hardcore spiral tekno, distorted and mangled but retaining groove and swagger. The EP features two re-released classics from Kushin's back catalogue: the pumped-up pirate radio pastiche of 'Hold Tite The P, No Need For London' and the feedback-laden blunt lobotomy of 'Automatic Predator', two decades on from their original releases in 2005 on Capsule Core and One Inch Punch. Complementing them are tracks 'Human Nature' and 'Cycle Dirty', previously unreleased spasmoid gems from the same era, unearthed and seeing the light of day for the first time.



All four tracks have been lovingly (re)mastered by Love Love's own Ben Pest for a maximal sonic experience, shining a light on this criminally overlooked corner of UK rave heritage.

Die Welt wird immer verrückter. Gut, dass es Musik gibt, die uns in eine positive, optimistische Welt gleiten lässt. SCHILLER präsentiert mit dem neuen Studioalbum "Euphoria" ein kraftvolles musikalisches Gegengewicht zur Unberechenbarkeit unserer Zeit: voller Energie, positiver Schwingungen und cineastischer Klangwelten. Musik zum Abschalten, Auftanken - und zum Eintauchen in eine hypnotische Atmosphäre.
Die limitierte Color Vinyl im Gatefold beinhaltet das "Euphoria"-Album auf 2 audiophilen 180g Vinyls in den Farben Neonpink und Carouso - jeweils in einer gepolsterten Innentasche verpackt
"Euphoria" ist ein mitreißendes Klangabenteuer - episch, bildgewaltig und berührend.

About SCHILLER
Hinter SCHILLER steht der deutsche Elektronik-Künstler Christopher von Deylen, der seit über zwei Jahrzehnten internationale Maßstäbe in der elektronischen Musik setzt. Seine Werke verbinden elektronische Sounds mit orchestralen Elementen, packenden Rhythmen und atmosphärischer Tiefe. SCHILLER ist weltweit bekannt für ausverkaufte Live-Tourneen, hohe Chartplatzierungen und musikalische Kooperationen mit internationalen Top-Künstlern.
Mit zahlreichen Gold- und Platinauszeichnungen sowie unzähligen Nummer-1-Erfolgen gilt SCHILLER als einer der erfolgreichsten deutschen Elektronik-Acts - und als musikalischer Grenzgänger zwischen Pop, Ambient, Klassik und Klangkunst.

repressed

The zombie strikes back with a new EP. After months of studio work on his forthcoming album, he & Record Makers have decided to release 'Nightcall' as an apéritif

Stefan Robbers is one of the most known and respected non-U.K.-based European techno producers, and (along with Speedy J) one of the only Dutch techno artists to reach a wide audience outside of Holland. Recording as Terrace, Florence, and under his own name, Robbers has been responsible for some of the most memorable moments in experimental dance music in the last few years, from the first release on the now-commanding D-Jax label (Terrace's 1990 EP 916 Beuna Avenue) to recent Terrace and Florence full-lengths released on his own Eevo Lute imprint. Although tracks have appeared through GPR and New Electronica as well, his focus since 1994 has been on Eevo Lute, likely in an effort to raise awareness about Dutch techno artists and which also prompted the astablishment (by Robbers and Speedy J's Jochem Paap) of a Dutch remix network. Most often cited in connection with the sort of "listening techno" associated with the Warp, GPR, and New Electronica labels, Robbers' recent releases have moved increasingly toward the incorporation of du jour electronica hybrids such as trip-hop and ambient jungle, although his trademark mixture of intricate, off-kilter rhythms and sweet melodies has remained. Along with Robbers' own releases, Eevo Lute has also issued material from David Caron, Max 404, and Wladimir M., as well as two label compilations (Agenda 21 and Agenda 22). A remixed version of Terrace's 1996 Konnekt LP, entitled Re-Konnekt, was released in 1996, featuring Speedy J, Global Communication, Sean Deason, Kirk Digiorgio, Orlando Voorn, and Thomas Heckmann.

Joyfull Family and Mike Anderson on Wound Music. Major Panther Ep is a vinyl only release and includes Memoryman aka Uovo & Murphy Jax remixes. If you want some pure chicago/pumpin house acid tracks in your set, this is your ep! Nothing more to say...

Tuff Cuts returns with the mighty Late Night Tuff Guy, fresh from his European Tour & Defected Glitter box Residency in Ibiza over the summer at Boom. Another 4 killer cuts are given the LNTG treatment.

Autumn of 2022 marked 20 years since the initial release of Metro Area's first and only album, Metro Area. Environ had already remastered and re-released this essential LP for its 15th anniversary. So this time around, we're doing something a bit different.

To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3 and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released.

Metro Area 2 is the duo's second 12" EP, originally released in 2000.

We are excited to announce the first release of the revamped Italo Deviance Music: "Arredo" (alias of Marcello Giordani). This record includes two outstanding tracks, each with its own unique character. The first track, "Fear Fighter," stands out for its hypnotic Afro/House direction, enriched with synthesizer sounds that capture the imagination and transport the listener to an evocative sonic dimension. The remix of "Fear Fighter" is entrusted to the ren owned Danish artist Kasper Björke, who offers an elegant and refined version, perfectly in line with his distinctive style. The second track, "Blue Spotlight," evokes the classic mid - 80s Dance Library sound, presented in an extended version with Italo nua nces. The remix of this track is curated by Cosmo Dance, transforming it into an extraordinary electronic track inspired by early 80s Italian Disco productions. "Arredo " represents a perfect fusion of nostalgia and modernity, celebrating the past while innovating the present. With sophisticated remixes by Kasper Björke and Cosmo Dance, this release promises to captivate both veterans of the genre and new electronic music enthusiasts. Don't miss the chance to immerse yourself in this unique musical journey.

Death Is Not The End turns 10 years old in May, and as part of the celebrations are committing a selection of DINTE NTS Radio shows from over the years to cassette. Kicking off with the recent special Skateland Soundtapes, 1980-1986 - comprising a selection of clips from sessions held at Halfway Tree, Kingston's most storied roller skating rink during the dancehall era's golden period of the early to mid/late 1980s.

Audio sourced with the indefatigable efforts of the Who Cork The Dance crew - big thanks going out to Jayman, Ruff House, Keimo, Omar, Gee Wizz and the one Jah Humble.

Essex-based Nasty Rhythm is a raver from the good old days who turned his hand to making music a few years back during UKs lockdowns, causing a minor sensation on youtube after uploading his very first track. The raving spirit shines through brightly here, capturing the vibe of 1992 hardcore like lightning in a bottle on the 2 original A side tracks. Backed with pumped up remixes from The DJ Producer and Rognvald the whole EP provides a breakneck trip along the hardcore continuum.

Sev Dah delivers dreamy string-work and funky percussive techno with crunchy stab-driving beats.

Anybody asked for faster and harder? Then you are about to be surprised with Sev Dah's approach on PROLETARIJAT012!'Azici 89' is setting the direction into dreamy string-work and funky percussion, followed by crunchy stab-driving tight beats on 'Makac'.On the flip side is a collaboration between him and his daughters, where old rusty drum machines meet three playful minds on 'Singing Like'.'Tamic' is completing the 12th release in known manners à la Sev - straight forward, dusty and shaky!

(REWORKS & EDITS)

Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba

Planetary Assault Systems is one of UK techno veteran Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.

Here on his own Mote-Evolver label, Slater revisits the track with a fresh perspective across two edits and an interpretation from Drumcode's Adam Beyer and celebrated Brazilian DJ/producer Webbha. The techno titans team up to deliver a remix with thunderous energy as tense synths patterns loop, evolve, and grow ever more edgy as the track unfolds throughout.

On the flip, the first 'P.A.S. Edit' is a potent touch-up that finds pounding drums overlaid with raw and textural synth patterns alongside occasional crashing claps and a rising sense of dark cosmic energy. The 'P.A.S. Live Edit' unfolds in broken patterns and reverberates with menace as more searing synth lines fire across the dance floor.

Fresh third release for Sub Authority, with Reale & Vincent XXI and the always good Franck Roger, that adds some house inflections and a dose of wiggly acid with a stunning remix. A classic synth basslines and robust drums make this an essential 3am choice for the more decerning D.J.

EPMD’s initial success in 1987 seemed to take a lot of people by surprise. Without build-up or fanfare, they launched this stunning debut 12” and, so ill-prepared were people for it, that the label was still misspelling their name.

Those early 12” copies of ‘It’s My Thing’ – and the hard to find UK 7” that followed shortly after – have them billed as EPEE MD. Before they were signed, they were going by EEPMD, but they decided to drop an E due to the success of the west coast’s Eazy E. The one person not surprised by their success, however, was hip-hop pioneer and producer Kurtis Mantronik, who actually signed them to Fresh Records.

It’s fitting that he’s the man that saw their promise, as he himself was one to go against the grain. His electro-influenced productions for Mantronix and Just Ice were ahead of their time, and perhaps in EPMD he saw kindred spirits. Because, at the time this dropped, hip-hop was going up tempo, taking its cue from James Brown samples and picking up the pace.

On both ‘It’s My Thing’ – underpinned by the languorous ‘Seven Minutes of Funk’ by The Whole Darn Family – and ‘You’re a Customer’, with its combination of ZZ Top and Steve Miller Band – Erick Sermon and Parrish Smith slow things right down. It gives their vocals time to breathe and allows us to enjoy the interplay of their metaphor and simile-heavy lyrics. As calling cards go, they don’t come any better than this.


• Stunning debut that has become a Hip Hop classic.

• Only previous 7” release very hard to find.

Embracing the good vibe of the afro, ethnic and tropical scenes, this new volume of the Jitter Edits series represents a crisp union of sound and energy. Following the imprint of the well known party in France, this is an essential dancers tip.

Over the past few years, Luca Binatti released a steady stream of quality EPs that showcased a remarkable talent with a clear understanding of what makes dance music unique. Also known for his guise as D:fferent Place, where house music is the main topic, Luca's boldest experiments belong under the Pressure Point project.

Pressure Point's debut on Pluie/Noir is no different — a collection of four ultra-personal tracks drenched in honest emotion and playful psychedelia. And it sounds as human as it sounds outer-worldly. Inspired by music genres unrestricted by the club ecosystems, "Ghost on Tape" features compositions that span from deeply spacial house to low-swung finely-detailed minimal.

Cover artwork features a stunning painting by the exquisite London-based artist David Surman. "Mask of a King / Midas" is inspired by Agamemnon's mask found in ancient Mycenae and Picasso's last self-portraits, furthering the emotional impact of the release as a whole. Limited pressing.

Following a string of huge sold out shows together, Sonny Fodera and Dom Dolla now team up for new single ‘Moving Blind’ via Sweat It Out / Solotoko.

Moving Blind weaves husky vocal hooks with elastic synth leads and bumping basslines, making for a hypnotic house groover destined to be heard in its natural club setting and intimate home dancefloors alike.

DJ Support :

Pete Tong, Mistajam, John Summit, Just Kiddin, Riva Starr, Sam Divine, Claptone, Biscits, Ferreck Dawn, Dombresky, Simon Dunmore, TCTS, Robosonic, Marco Carola, Andi Durrant, Joachim Garraud, Slipmatt, Paco Osuna, Fatboy Slim, MK, Riva Starr, Rudimental, and Richie Hawtin

Third release for Baz Line limited pressing on mono side vinyl. So fly!

The return of the mighty LNTG. A double dose of those trademark edits, reloved, reworked and remoulded into two extended and exhilarating mixes in true LNTG style. A must have, as always.

Early support from Luke Slater, Kr!z, Truncate and Rødhåd. After 4 years, Blenk is back on Enemy with another incredible EP. “Breaking the Loop” is 5 tracks of Blenk’s signature hypnogrooves that will easily compliment each part of the night. This EP kicks off the 20th year anniversary of Enemy Records. Over the course of 2025, expect a handful of new releases and represses from our most indemand records!

“Lost” is the EP’s warm, ambient kick off. It perfectly sets the tone for starting up or finishing off a set at any time. We all need intros, so…here ya go.

“Outline” is a monstrous track that has been hammered regularly by a few of our select friends. It’s as funky as it is punchy. We could write more words, but who cares…it’s the big one.

“Silo” is the tracky roller of the EP. This one is for the “Just the grooves please, I’ll take it from here” type of DJs.

“FM9” is for Interstellar travelers, or at least for the people who took enough acid to think they are. If you’re into ‘wormhole techno,’ this is one is right up your quadrant.

“Dissociative” does exactly what the title says. While it has those A side qualities, it’s the perfect introspective wrap up for the infamous B2 spot.